Summer Six-Week Workshop
June 18 – July 28, 2017
Applications for the 2017 Summer Workshop will open in December of 2016.
Every summer, Clarion West holds an intensive six-week workshop in Seattle’s University District, geared to help you prepare for a professional career as a writer of speculative fiction. Each workshop is limited to 18 students, and each week features a different instructor, a highly regarded author or editor offering their unique perspective on the field.
Short fiction is the workshop’s focus, with an emphasis on science fiction, fantasy, and horror. Come prepared to write several new stories, to experiment and take artistic risks, and to give and receive constructive criticism.
You’ll work closely with instructors in group critiques of newly written stories, discussions about writing techniques or professional concerns, and individual or small group conferences. And you’ll be a part of Seattle’s vibrant SF community, as the workshop presents informal sessions with acclaimed area authors.
You’ll come away with essential tools for improving your writing as well as a set of friendships and professional contacts that can last a lifetime.
Clarion West charges a nonrefundable application fee of $30 (USD), which is payable via PayPal. The fee increases to $50 for applications received after February 10, 2016. Applications close March 1.
Clarion West is dedicated to promoting new voices in speculative fiction and offers a generous amount of scholarship support, made possible by our passionate and dedicated community. All students are encouraged to apply for scholarships.
Download a PDF flyer with application information here. (If the file does not display correctly in your browser, please save the PDF to your computer and open in Adobe Reader.)
To apply to Clarion West, you will need the following:
- Sample of your work, consisting of a total of 20 to 30 pages of manuscript (one or two short stories, or a novel excerpt with a synopsis of up to three pages). Your manuscript should be formatted in 12-point Courier (typewriter) font and double-spaced, with one-inch margins. (See Vonda McIntyre’s manuscript preparation guide and William Shunn’s story formatting guide for more information.) It should not exceed the page limit, even if it includes a synopsis. Set your margins flush left and do not justify the text. We prefer PDF documents, but also accept DOC and RTF files. Do not upload DOCX or ODF files.
- A 700- to 800-word description of your background and your reasons for attending the workshop. This essay will be used to introduce you to the workshop’s instructors if you are accepted. Include your contact information through June: phone number, email address, and mailing address.
- Scholarship form (if you choose to apply for financial assistance). Download a scholarship form here. (PDF form, requires Adobe Reader.)
The total cost to attend the workshop is $3800; this covers tuition, room, and partial board (light self-serve breakfast daily, and lunch and dinner Monday-Thursday). All students stay in the workshop residence. Wireless Internet access is free.
All students are eligible for scholarships. You can apply for a scholarship when you apply for the workshop on this site, or request a scholarship form via an email, phone call, or letter, or print one out from our website. Scholarships are allocated primarily based on need.
Our scholarship funds include some assistance for special needs students.
Instructors for 2017
Daryl Gregory writes genre-mixing novels, stories, and comics. He’s the author of the award-winning novella We Are All Completely Fine. His novels include Afterparty, Raising Stony Mayhall, The Devil’s Alphabet; and the Crawford-Award-winning Pandemonium.
Kij Johnson has won Hugo, Nebula, World Fantasy, and Sturgeon Awards for her enticing yet disturbing novels and stories. She is Associate Director of the Center for the Study of Science Fiction at University of Kansas, where she also teaches creative writing and leads an intensive novel-writing seminar.
John Chu is a microprocessor architect by day, a writer, translator, and podcast narrator by night. His fiction has appeared or is forthcoming at Boston Review, Uncanny, Asimov’s Science Fiction, Clarkesworld, and Tor.com. His story “The Water That Falls on You from Nowhere” won the 2014 Hugo Award for Best Short Story.
Connie Willis is an internationally known science fiction author and the winner of an unprecedented total of eleven Hugo Awards and seven Nebula Awards. Willis is the author of Doomsday Book and many other acclaimed novels, but she is probably most famous for her short stories, including “Fire Watch,” “Even the Queen,” and “The Last of the Winnebagos.” Her novel Crosstalk will be published in October 2016.
Daniel José Older is the bestselling author of the Bone Street Rumba urban fantasy series and the novel. He co-edited the Locus and World Fantasy nominated anthology Long Hidden: Speculative Fiction from the Margins of History. Daniel has guest edited at Fireside Fiction, Catapult, Crossed Genres, and Fantasy Magazine, and served as a judge for the Scholastic Art and Writing Awards, the Burt Award for Young Adult Caribbean Literature, and the PEN American Award.
Pat Cadigan is the author of fifteen books, including the two Arthur C. Clarke Award-winning novels Synners and Fools. She has won the Locus and Hugo Awards. Cadigan has been a speaker at universities, literary festivals, and cultural gatherings around the world, including M.I.T., Pop!Tech, Utopiales, Argonauts of the Noosphere, and many more science-fiction conventions than it’s possible to list here.